Trouble Importing on Canon 7D/60D/70D and Premiere Pro-Solve EOS 7D/60D/70D and Adobe Premiere compatibility issues
The new Canon EOS 7D is Canon’s top APS-C SLR. Upgraded to a full 18.0 megapixels. The new HD movie mode can shoot Full 1080p HD Video at faster frame rates 1080p @30fps, 24fps and 720p @60fps and with manual exposure control. HDMI port to hookup to an HDTV. External Microphone Jack. Includes many features formerly reserved for Canon’s top SLRs. Large high resolution 3-inch LCD screen (920,000 pixels).
Canon EOS 60D Digital SLR Camera (18.0 Megapixels)
The Canon EOS 60D is Canon’s mid-range APS-C SLR. Upgraded from the 50D to a full 18.0 megapixels. The 60D adds a new HD movie mode which can shoot Full 1080p HD Video at popular frame rates 1080p @30fps, 24fps and 720p @60fps and with manual exposure control. The 60d includes an HDMI port to hookup to an HDTV and an External Microphone Jack for better sound. Also new is manual audio control. Includes many features formerly reserved for Canon’s top SLRs. The 60d gets a new high resolution articulating 3-inch LCD screen (1,040,000 pixels).
Canon EOS 70D Dual Pixel CMOS AF DSLR Camera
The Canon EOS 70D is Canon’s Best mid-range APS-C SLR. Upgraded from the 60D to a full 20.2 megapixels. It shares many of the features from the Canon 5D Mark III, but at a lower cost and weight. This is the first Canon DSLR to introduce the new Dual Pixel CMOS AF technology that greatly enhances autofocus capabilities, especially when filming video. The 70D HD movie mode shoots at Full 1080p HD Video at popular frame rates 1080p @30fps, 24fps and 720p @60fps and with manual exposure control. The 70d includes an HDMI port to hookup to an HDTV and an External Microphone Jack for better sound options with manual audio control. The 70d gets a new high resolution articulating 3-inch LCD touchscreen (1,040,000 pixels).
Well, Canon EOS 7D/60D/70D videos are saved in 1080p .mov format with H.264 codec, but this MOV video format came from EOS 7D/60D/70D is a FULL HD format that is highly compressed, so we can not easily and directly import and edit Canon 7D/60D/70D HD mov files on Mac with Premiere Pro.
Actually, convert Canon 7D/60D/70D H.264 MOV to MPEG-2 is easy, you just need to free download the7D/60D/70D h.264 mov Converter for Sony Vegas. It can not only transcode Canon EOS 7D/60D/70D H.264 MOV to suitable video format for Vegas Pro, but also do some little editing some simple editing features, such as merging several videos into one file, deinterlacing the original footages, cropping video size, trimming video clips, adding special effects and text/image/video watermarks to output videos, thus it will be on the top of your list.
Preparation: Connect your Canon EOS to your iMac/Macbook with a USB cable or read the Canon 7D/60D/70D H.264 MOV videos via a SDXC card reader. In both ways you can import to the hard drive.
Step 1. Load H.264 MOV videos into Brorsoft EOS 7D/60D/70D Converter.
Drag and drop target H.264 MOV video files from hard drive to this program or click the “Add” button on the top menu in the software interface to import video files. Batch video files are also allowed to upload with a list showed in the imported field. In addition, merging two or more video clips into a big one can be realized by ticking the “Merge into one file “checkbox.
Step 2 Choose MPEG-2 as the output format
Select the video files which are going to be converted and click the “Format” box. Then choose ‘’Adobe Premiere/Sony Vegas” section. In this section, choose”MPEG-2 (*.mpg)” as output format from its drop-list. Specified the destination folder where the output video files belong by clicking the ”Output” button.
Step 3 Set video and audio parameters for Adobe Premiere Pro
Click the “Settings” button so that you are able to custom several parameters. You should adjust size, bitrates and frame rate catering for Adobe Premiere Elements. In this way, you can avoid suffering degraded video quality.
Step 4 Start the conversion from EOS 7D/60D/70D H.264 MOV to MPEG-2 for Adobe Premiere Pro on Mac.
Click the “Convert” button under the preview window and Canon EOS 7D/60D/70D H.264 MOV Converter will finish this conversion process at a high speed.
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Panasonic AG-HPX500 P2 HD Handheld Camcorder has become the hotly received P2 HD camcorder among Panasonic's broadcasting and professional P2 HD Series. This article is mainly to solve the AG-HPX500 MXF recordings to Premiere Pro, Avid MC importing problems. As many users get HPX500 camcorders, more problems are coming up: some of them have the need to import Panasonic AG-HPX500 P2 MXF to Adobe Premiere Pro/Avid Media Composer for editing on Mac OS X, but they always meet the importing issues.
As far as I know, (P2) MXF is not a good editing format for NLE system including iMovie, Final Cut Express, Final Cut Pro, Avid Media Composer, Adobe Premiere Pro, etc. Then how to import Panasonic AG-HPX500 videos to Avid, Premiere Pro for editing without any issue? Well, if you make the recordings editable before taking to the program, the incompatible error won’t happen any more. Here you can download and apply Brorsoft MXF Converter for Mac to achieve the goal in a fast way.
This Panasonic P2 MXF Converter for Mac is the solid tool to help users make the P2 MXF transcoding on Mac OS X. It offers the optimal preset profiles for Final Cut Pro 6/7 and FCP X, Avid Media Composer, Adobe Premiere Pro, iMovie, FCE and more. And there is no need to worry about the quality loss. If you are on Windows, please get MXF Converter.
Below is the simple guide about how to convert Panasonic AG-HPX500 footage into Avid, Premiere
STEP 1: You need to download, install and run the smart Panasonic P2 MXF Converter Mac and transfer your MXF recordings to the program from the P2 card.
STEP 2: Click on the “Format”bar and choose a best editable format.
a. To edit Panasonic AG-HPX500 footage in Avid MC, choose Avid Media Composer->Avid DNxHD(*.mov).
b. For importing Panasonic AG-HPX500 MXF to Premiere Pro, please select Adobe Premiere/Sony Vegas > MPEG-2 (*.mpg).
PS: You also can click “Settings” to set video frame rate, video size and Video Bitrate as you want.
STEP 3: As soon as all things are finished, please click “Convert” button to start the Panasonic P2 MXF conversion on Mac OS X.
Once the conversion is 100% completed, you can smoothly copy the converted files to Avid/Premiere for editing.
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"I'm in the market for a good camcorder, Sony PMW-EX1 or EX3 look intriguing. The only concern is Sony PMW-EX1/EX3 XDCAM Compatible with Premiere Pro?"
No matter you’re using or going to have Sony PMW-EX1 or PMW-EX1 EX3, you may wanna know the compatibility of the Sony XDCAM media with Premiere Pro. In this page, I will give you the answer.
Until Premiere Pro CS6 version, Adobe provides native support for Sony XDCAM, XDCAM EX, and XDCAM HD (including XDCAM HD 50) cameras and content with no transcoding required. If you have the old versions, Premiere Pro CS3/CS4/CS5, there’s no luck for importing Sony PMW-EX1/EX3 to Premiere Pro directly. Well, is Premiere Pro CS6 compatible with all the Sony XDCAM media? No, importing, editing problems still occurred from time to time like “the file has no audio or video streams”…
To achieve your goal to edit Sony PMW-EX1/EX3 footage with Premiere Pro, below is simple tutorial to make it smoother to get those XDCAM files off of a memory card or hard drive to Premiere Pro– and without XDCAM plugin.
Converting Sony PMW-EX1/EX3 XDCAM to edit in Premiere Pro
The quick workaround is to use an easy-to-use yet professional application Brorsoft Video Converter for Mac. With it, you can transcode raw XDCAM footage to MEPG-2 for using in Adobe Premiere Pro directly. If you are on Windows, Video Converter is for you. Just download it and follow the tutorial below guide to achieve your goal.
1. Launch the Sony XDCAM Converter, you can click "Add Video" button (or "Add from folder") to load source files from PMW-EX1/EX3. Convert supports batch conversion, so you are allowed to add multiple files to convert at a time.
2. Select " Adobe Premiere/Sony Vegas > MPEG-2 (*.mpg)" as output format for Premiere Pro.
3. Adjust the video and audio parameters, including the Bitrate of Video&Audio, Video Size, Sample Rate, Frame Rate, Audio Channels, etc., by clicking the Settings button on the main interface for getting the best quality.
4. Click the convert button to start transcoding Sony PMW-EX1/EX3 XDCAM for Adobe Premiere Pro.
After the process completes, click "Open" button to find the generated videos, and then you can transfer the recordings to Adobe Premiere easily and quickly.
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As an enthusiast compact camera based around a 20MP 1" CMOS sensor, the Sony Cyber-shot DSC-RX100 offers you the capability of recording ultra high-definition still images and Full HD 1080p videos at 60 frames per second (fps). While enjoying the stunning HD image quality, many folks are having problems when importing Sony DSC-RX100 60p footage into Final Cut Pro X/7, Avid Media Composer or Premiere Pro. If you're in such a situation, you can read on the article to learn more, which mainly shows you how to get Avid, Premiere and FCP to work perfectly with Sony DSC-RX100 60p AVCHD files.
The reason that you can't sucessfully ingest those recorded AVCHD footages on 60p format to your non-linear editing systems is simple. Currently 1080/60p footage is a very non-standard format and it's not added into the supported lists of Media Composer (even with Avid 7), Premiere Pro (CS6), Final Cut Pro X and other NLEs. In order to edit Sony DSC-RX100 60p MTS files smoothly, the easy workaround is to use 3rd-party to rewrap and covnert 60p footage a more "editable" format.
First you need to download Brorsoft MTS/M2TS Converter for Mac, a powerful high-quality AVCHD video converter, player and editor. If you're facing problems when uploading 60p/50p AVCHD footage to Final Cut Pro X, Premiere Pro CS6 and Avid Media Composer on Mac, chances are you already installed this great free utility. If not, download it it from below.
(Note: Click here for OS X 10.5)
Frankly, the program is an easy-to-use yet professional app which can help you transcode Sony DSC-RX100 60p AVHD to Avid DNxHD, ProRes and MPEG-2 to ensure maximum editing quality and efficiency when working with Media Composer, Final Cut Pro X and Adobe Premiere Pro under Mac OS X 10.9 Mavericks, 10.8 Mountain Lion, 10.7 Lion, Snow Leopard 10.6, Leopard 10.5. It's clean, safe, free to install and use. and it works well and converts flawlessly.
Transcoding Sony DSC-RX100 60p AVCHD footage for editing in FCP X, Avid and Premiere Pro
Step 1. Run the nice AVCHD MTS Converter on your Mac and load mpg clips to it by clicking “Add” button. The software supports batch conversion, so you can import several videos to it one time.
Step 2. Click "Format" bar and then move your pointer to "Final Cut Pro > Apple ProRes 422 (*.mov)"; For Avid MC, choose the "Avid Media Composer > Avid DNxHD(*.mov)"; For Adobe Premiere, choose "Adobe Premiere/Sony Vegas --> MPEG-2(*.mpg)" as output.
Step 3. Press "Convert" button to start encoding.
Now your 60p files will be converted into DNxHD, ProRes, MPEG-2 files ready to be imported into Avid, FCP X, Premiere.
You're done! Now you may know how to ingest and edit Sony Cyber-shot DSC-RX100 60p.MTS footage in Avid Media Composer, Premiere Pro and Final Cut Pro X.
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Summary: The easy workaround to get iMovie/FCE work with Panasonic DMC-G6 60p footage is to Convert MTS to Apple InterMediate Codec(AIC) MOV which ensures the best result when using in iMovie 08/09/11 and Final Cut Express.
Panasonic DMC-G6, a top seller, offers multiple record modes for users. It shoots in 1080 60p, 60i and 24p, in the AVCHD codec as well as Full HD MP4 movie recording. Well, if you’re facing the trouble importing Panasonic G6 60p MTS into iMovie/FCE, go through the page to find the definite solution.
As far as we know, iMovie' 09/11 offers much better native file compatibility than its predecessor. Apple claims that iMovie' 09/11 supports most commonly-used video codecs, including DV, MPEG-2, MPEG-4, H.264, AVCHD and AIC. However, iMovie does not support AVCHD 1080 60p/50p video. Plus, Final Cut Express can’t support 60p MTS videos, either. To be able to edit your G6 HD video in iMovie/FCE, we suggest you set your camcorder to record in AVCHD 60i or AVCHD 24p or MP4.
If you had to handle your recorded 60p AVCHD videos in iMovie/FCE, you can transfer the video directly to the hard drive of your Mac, and use a tool- Brorsoft MTS/M2TS Converter for Mac to convert AVCHD 60p video to AIC for directly importing to iMovie/FCE. Just download it and follow the simple steps below to transcode MTS for iMovie/FCE editable format.
Converting Panasonic DMC-G6 1080 60p MTS files to edit in iMovie/FCE
1. Import AVCHD MTS videos to the software
Once run the Mac MTS to iMovie/FCE Converter, you can click "Add Video" button to load AVCHD MTS source files from Panasonic G6. It supports batch conversion, so you are allowed to add multiple files to convert at a time.
2. Select "Apple Intermediate Codec (AIC) (*.mov)" as output format for iMovie/FCE
Click the format bar, and move mouse cursor to "iMovie and Final Cut Express -> Apple InterMediate Codec (AIC) (*.mov)". By the way, the Mac AVCHD Converter also supports output Apple ProRes format for using in Final Cut Pro.
Tips – Adjust audio and video settings
The Mac MTS Converter enables users to adjust audio and video settings before transcoding AVCHD files to AIC. Click "Settings" button, then you will enter the following interface, on which you are allowed to customize size, bit rate, frame rate, sample rate, and audio channel to your required ones.
3. Start the conversion process
Click the "Convert" button to start transcoding Panasonic DMC-G6 60p MTS to AIC MOV for iMovie/FCE.
When the conversion is finished, you can click "Open" button to get the generated AIC .mov files effortlessly. Afterwards, you can launch iMovie or Final Cut Express to import converted MTS files the editing programs for further editing.
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